Colorado’s beloved electronic-funk duo Big Gigantic just released a brand new album, and it’s a full-blown explosion of light, sound, and soul. Out now on all streaming platforms, Fluorescence further cements their legacy as masters of genre fusion, blending sax-driven funk, hard-hitting drums, and feel-good energy into a truly unique musical experience.
fluorescence
/ˌflôrəˈsens/* — noun
- The act of glowing brightly when hit with the right energy.
- A radiant burst of color, light, and joy, especially when delivered through funky sax riffs, booming drums, and wholesome vibes.
- The sound of Big Gigantic lighting up your soul
See also: dance floor ignition, sonic sunshine, instant mood lift

The album kicks off with the already loved singles “Move Around” and “Free Spirits” (ft. ALIGN), and keeps the momentum going with a kaleidoscope of new tracks that are perfect for warm days, late nights, and creating lifelong memories.
With features from Daily Bread, Ganja White Night, ProbCause, NEIMY, and more, Fluorescence feels like both a love letter to Big Gigantic’s roots while taking a fresh step into the future and pushing their sound into bold new directions.
Big Gigantic describes this new creative phase surrounding FLUORESCENCE as “all fun, light and positivity—a celebration of the boundless energy that makes dance music and festival culture feel so alive.”
Before the release of Fluorescence on June 19th, Electric Hawk sat down with Dominic Lalli (Sax/Producer) and Jeremy Salken (Drums) to talk about the album and their message to fans.

Listen to Fluorescence while you read the interview:
Diving into Fluorescence with Big G:
Kaylee Leitzel, Electric Hawk: After listening to the album, I’m excited to learn more about the creative process! What was one unexpected influence, musical or personal, that left a mark on Fluorescence?
Dominic Lalli: That’s a tricky question. I don’t know if there was one big external influence… but what really drove me was the determination to make this the best project I’ve made so far, and the aspiration that comes from wanting to level up from what we’ve done before. I spent a lot of extra time refining every part of this album, and I think that dedication shines through.
KL: Did any songs completely transform from their original ideas during production? And if so, what were the biggest shapeshifters?
Dominic: Yeah, “Journey” was a big one. We played an early version live for about a year and a half. It had a completely different drop and everything. Then we brought in DENM for vocals, played it a few times that way, and later Ganja White Knight came in and reworked it. It became something entirely different from the start.
Jeremy Salken: “Life of the Party” changed a lot, too. It started off as a track called “Reggae Dub” and evolved once we got Little Stranger on it. Not quite as drastic as “Journey,” but definitely shifted.
Dominic: It’s funny how sometimes the original demo feels like a whole different song by the end. I keep everything very organized and dated, so I like going back through those versions and seeing just how much they have evolved.
KL: Are there any songs you haven’t played live yet that you’re especially excited about?
Dominic: “Rain” is one I’m really looking forward to playing—it’s kind of my secret favorite on the album. We haven’t played the full version of “Woohaa” live yet either, so that’ll be fun.
Jeremy: We played “Real Low” in Toronto, but it’s gone through some name changes, so we’re excited to see how fans respond to it in its final form.
KL: You’ve played Rowdytown at Red Rocks for over a decade now. Did those shows inspire anything on Fluorescence?
Dominic: Yeah—some of the songs were tested at Rowdytown and made their way onto the album. The name Fluorescence itself came out of thinking about what comes after Brighter Future. That album had such a strong theme. I kept asking, “what’s the next phase”? Fluorescence felt right—it’s the light that comes from that brighter future. It represents growth, vibrance, and energy.

KL: Listening back to Brighter Future 2 and now hearing Fluorescence, what would you say has shifted most in your sound or mindset between the two?
Dominic: Sonically, this one just hits harder. That was a big goal for me—even the chill tracks still hit. I worked with a great mixer in Nashville named Clint, and he helped bring everything to a new level. It was awesome having someone who really got the vision.
KL: What do you want listeners to walk away feeling after hearing the album?
Dominic: Just good vibes. It’s a fun, energetic summer album. Nothing too heavy—something you can replay, that takes you through different moods and keeps you feeling great.
KL: You guys have a reputation for being super positive and fun to watch live. Do you ever feel pressure to keep it light in the music, even if life’s throwing heavier stuff your way?
Jeremy: I wouldn’t call it pressure—it’s more like something we feel really lucky to do. Even if we’re dealing with stuff personally, we try to always show up for the fans, because you never know how much a moment can mean. I’ve had those moments with artists I look up to, and I know how those memories can stick, so I try to carry that with me when we meet people.
Dominic: Yeah, that positivity is just who we are. Even if life throws curveballs, making music is our release. We’re grateful that we can channel everything into something joyful and light, but even if we weren’t making music, we’d still choose to focus on the positive over the negative.

KL: Did you start this album with a clear concept in mind, or did it reveal itself later?
Dominic: It definitely revealed itself along the way. I write almost every day, so I had around 25 tracks by last September and kept writing until it all came together. Eventually, I narrowed it down to 12 and thought, okay, now I need a name and a lead track that captures the message. That’s how the title song came about—it ties everything together.
KL: You’ve been building your sound since 2008. At this point, do you write music with the fans in mind, or is it still more about making what you love and seeing who connects with it?
Dominic: I love and appreciate our fans so much, but at the end of the day, I’ve always made music that I personally love. I think that’s part of the artist’s role — to be a tastemaker in a way. Even back in 2008 or 2009, I was just making what I was into at the time. That’s still true now.
Obviously, things change — I’ve grown a lot since those early albums, but I still feel connected to that music. It’s just that my tastes and ideas have evolved. I’ll always make funky bass music — it’s part of my core — and you hear that in the first two singles on Fluorescence. But I also love exploring other sounds and pushing the boundaries of what we can do. So it’s a mix. I make what excites me and hope that it resonates with people, too.
KL: You’ve built one of the most dynamic and loyal fan bases in electronic music. What’s something fans have done or said over the years that still motivates you?
Dominic: For me, it’s hearing how much the music has meant to people—that it’s changed or impacted their lives in some way. That’s always really powerful. We’ve had fans tell us stories like, “I played this song for someone, and now we’re married,” or that a track helped them through a tough time. Those kinds of moments really stay with me. That connection keeps me excited to keep connecting with fans and continuing to do what we do.
Jeremy: Couldn’t agree more. We hear so many of those stories at meet-and-greets or even on the street. People will stop us and say things like, “My older brother took me to my first Big G show when I was 15, and now I bring my friends.” That stuff is just so cool. It really shows the community that’s grown around the music, and I love that aspect of it. The music brings people together, but it’s the connections that stick – it all fuels us. Being a part of those memories is special.
Hoping to listen to the sonic experience live?
A few more summer stops are on deck, then the Fluorescence Tour lights up starting August 22
- June 28 – San Diego Fair at The Sound (San Diego, CA)
- July 12 – Ganja White Night Support, Hampton Coliseum (Hampton, VA)
- July 25 – Shambhala Fest (Salmo, BC)
Click here for the full list of tour dates

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